This excerpt, hand-written in Yiddish, was found in the diaries of German Baroness Gertrude Von Ludwig Dodgson, reportedly the second cousin once removed of Charles Lutwig Dodgson, known by the pseudonym, Lewis Carroll, noted British author and master of Literary nonsense. His most popular works include “Jabberwocky”, “The Hunting Of The Snark” and the complete works of “Alice in Wonderland”.

Disney studios brought it to the screen as a beloved 1951 epic animated fantasy, an interpretive adaptation of colors and epic symbols about the girl with golden hair seeing a talking hare, holding watch, nervously observing the direction as thyme grew late for a clue that would help him find his lost hole, running, claiming to be late for a very important date, a gathering with some questionable characters hosted by a loonytoon with attitude and a hat. Now, Tim Burton has created a 3D version starring Johnny Depp.

Dodgson never met his cousin who had been committed to the Bavarian Sanitarium For Anthropomorphic Research when she was observed talking to birds, squirrels and vampire bats migrating from Romania. After her death caused by an attack from a hive of bumble bee’s and spawning salmon, her vast estate including a crypt of secret documents and diaries from some of the most illustrious royal families of Europe, were left to her closest living relative then known by the name Lewis Carroll.

These quotes are believed to be the basis of his most popular books, Alice’s Adventures In Wonderland and its sequel, Through The Looking Glass And What Alice Found There. Many parallels can be found between his novel nonsense and the stories in her most recent diaries.

Since imagination is a place where living or inanimate objects can have human qualities, it’s sensible to conclude that animals, imaginary people, and even cartoon characters we know can’t   exist, can also act with human traits in a place where everything makes scents despite having no logical sense.

Eel hunting is called eeling and is a popular sport practiced by eelers - people trained in catching eels and surviving the shock.

Although an electric eel can be mistaken for a snake, its more accurately classified as a fish, an aquatic vertebrate animal with scales that has a capacity to produce an electric field using specialized cells distributed throughout its body. The larger the eel, the greater the charge, serving as a major defense against predators and incapacitating prey up to 15 feet away.

Now, engineers from Yale University have designed a man made tool adapting the principles of the electric eel cell by not only replicating them but improving on their design. They claim that artificial versions of the eel’s electricity generating cells could be developed as a power source for medical implants and other tiny devices.

Other engineers of the new field of systems biology question if we really understand enough about how a cell produces electricity to do a better job of designing them than nature has.  In an experiment at the Kakamigahara institute, Japanese scientists wondered if it were possible to harness the eel’s power for economic use. They attached a conductive copper wire from a fish tank to a Christmas tree fully ornamented with lights. Every time the eel scraped against the wire, the tree lit up. Despite all this science, a more common place to find an eel is marinated and served on a sushi plate.

And says his prayers by night

May become a wolf when the wolfbane blooms

And the autumn moon is bright”

Among Europe’s most popular legends are the Strigoi, known as the tortured souls that rise from the dead with the ability to transform themselves into animals, drain energy from their victims and make themselves invisible. Some scholars argue that they can be living beings with supernatural instincts instilled with the power to move objects, control the passage of time and possess special insight to foretell the future.

There are many stories about what lurks in the forests of Europe where the Strigoi dwell as human sized predatory creatures with unusual speed. A ripe subject for literature, cinema and television. They tell the common tale of chronic dissatisfaction with life, cursed while trapped within a fear of change. The only other way to attain immortality is by seeing though the illusion of life’s addiction and ascend, aware only of movement since direction is subjective. But even to do that, one still has to suffer as does the tortured souls most feared in myths in an ironic twist of fate.

Although he never refers to the undead, Woody Allen has included some witty dialogue about chronic dissatisfaction in his 2008 film, Vicky Cristina Barcelona, “Life is short, life is dull and full of pain and this is a chance for something special.” Some of the directors words also seem to explain why love stories between humans and the Strigoi are so compelling, “Only unfulfilled love can be romantic,”  as images of Edward and Bella, Angel and Buffy are evoked.

Most of the claims about the Strigoi have been dismissed as hallucinations, fables usually attributed to a curse using breadcrumbs to lure an audience as a common ploy of witches who live in candy houses somewhere in the woods of the Carpathian mountains where beasts prey upon lost souls who only know what they don’t want, effectively becoming yet another victim of chronic dissatisfaction.

Sixty years earlier the film Abbott And Costello Meet Frankenstein (1948) took a comical look at the undead. A respected horror film that is considered by the American Film Institute (AFI) among the top 100 films of American cinema. The plot is set in Florida and surrounds four different kind of Strigoi as Dracula and Frankenstein’s monster are smuggled out of eastern Europe as wax dummies pursued by the man who turns into the werewolf while the invisible man makes a cameo appearance at the end of the film. Even though he cannot be seen a voice is heard, “allow me to introduce myself, I’m the invisible man.”

Although none of them appear in a Woody Allen film, all of them were effected by chronic dissatisfaction and madness.

An example of this occurs when vision is focused on a point along the horizon driving an automobile on a flat desert highway with cactus and sand on either side. Then, its noticed that the road in the distance disappears and becomes a dot. If the path has been traveled before, familiarity with what one expects to find is reinforced with confidence about what still lies hidden as memory saturates the event.

Artists of all sorts such as painters, sculpture’s and architects write using perspective in various ways to stimulate imagination  suggesting, “what lies beyond can be perceived with a little bit of flexibility surrounded by rational thought reflecting that which  is not visible,” recognizing it as a place where the hypothetical becomes tangible.

If the gaze is fixed and the horizon moves, a cause could be myodeopsia, a condition characterized by the appearance of spider’s web thread like spots moving as the field of vision shifts. Floaters as they are known in ophthalmology are small pieces of hardening vitreous structures that break off within the eye and move freely in the fluid causing shadows to be cast on the retina.

Even though they are common and considered more an  annoyance than anything seriously wrong with one’s visual capabilities, an exam by an ophthalmologist once a year is advisable.

Floaters are often a result of aging, a corneal abrasion or an infection. Some think they are  optical illusions  which are perceptual effects that arise from interpretations of an image by the brain rather then an entoptic phenomenon. Others may consider them a figment of science fiction but only those who have them know for sure.

A peaceful place, calm and harmonious, where the energy of the planet is as vibrant and subtle as the stars flickering  through the  aqua red  sky of the northern lights, an ideal place to think about philosophy, religion or contemplate the breath of Japanese myth and the Ho Ho Ho of Old St. Nick.

Unfortunately, busy professionals are often unable to travel to the Arctic regions to find the northern lights to breed a child of good fortune. For them, a unique solution has been devised to bring the lights to their location by thinkgeek.com called the Aurora Projector. “This unique object uses three colored LED’s and a frosted lenses to simulate the ice of the northern region that is now melting due to global warming from the products of the industrial revolution,  to project twisting swirling misty lights on your wall or ceiling. Four triple-a batteries power it for up to 20 hours to avoid any interruptions in a thoughtful conception. The controls are simple to master - On, Off, and  a Timer  which  shuts it off after 30, 60, 90 and  120 minutes, especially thoughtful  for those who are in the geriatric age range. Plus, the lamp is hinged, so if you are concerned about straining your neck muscles or pinching the wrong nerve to stare at the light show on the ceiling, you can tilt it vertically, and project the pretty colorful lights on the wall instead. The size of the contraption: H13 x W18.5 x D11 cm. The 4 AA batteries it takes to run this thing are not included and it doesn’t appear to have any plug in components.”

Now for the right yen and $39.00 you too can conceive a child of good fortune that will make parenting as easy as baking a souffle.

According to historical records, The concept of fish school, not to be confused with a school of fish was first founded by Dean and Kyle Pomerleau in 2004. Kyle who was seven years old at the time won two common goldfish at a school fair spending hours watching them for several weeks. He suspected that there was more going on in their brains then most people were willing to give them credit for. On a whim, he and his father decided to see if it was possible to train fish to do tricks using techniques frequently associated with  training dogs, cats, and circus animals.

In an attempt to give fish their just due as responsive pets rather than some kind of decoration at risk for being flushed down the toilet or eaten by a house cat, their scientific investigation led to the Fish School Training Manual, initially written in French. The basic principles set forth in the pamphlet are positive reinforcement and shaping which uses the fish’s innate curiosity to encourage behavior modification. After all, Kyle  claimed,  “Fish have often been served in various cultures as religious symbols, deities and the subject of art, books and films such as The Incredible Mr. Limpit,” a 1964 live action/animated film by Warner Brothers about a human who mysteriously turns into a talking fish and helps the US Navy defeat the Nazis using his “thrum,” an intense  noise that disrupts underwater  instruments and weapons long before Finding Nemo won the Oscar as best animated feature in 2005.

The ancient ones were aware that cosmic forces are immense and subtle, remaining invisible until sensitivity to them is developed much as knowledge is often hidden among the clutter of pointless facts noticed before a truth is revealed.  On the other hand they contended that “nothing is useless as long as its appropriately prioritized.” An approach no different than subjecting students to a multiple choice test who are given more information then they need to choose the correct answer, a way of encouraging the development of  knowledge by also sharpening the ability to use a sound process of elimination (guessing).

Who the ancient ones were is less important than what they said about the universe describing it as “a lot of space with ‘things’ suspended within, in constant motion  as everything moves in relation to their previous position and/or mutual gravitational effects on each other.” They were aware of the closest and farthest currents although they attracted less attention by being silent and occasionally leaving inspiring hints along the way, sometimes misinterpreted, becoming the basis for cults.

According to them, the universe could be interpreted as a conduit for the cosmic pulse, while the veil is defined as “anything that is not known,” frequently misunderstood as a symbol for whatever prevents revelation, neglecting to consider its dual purpose as a protection from the knowledge one is not ready to receive. They indicated, “the ability to verify existence or calculate cycles is not necessary to understand the imperceptible.”  Only a rudimentary comprehension of mathematics is important as one silently listens to the cosmic breadth and reads the poetry of light, sound and motion.

Fragments of fable and myth  have been passed down revealing some things about the first ancient one, said to have been born in a small town in the Himalayan Mountains.  Originally the youth, like the other men of the village, was a peaceful farmer. However, an elder villager held in great respect somehow gained certain  knowledge which he shared with the one who later became the first of the ancients. Both began exploring the secrets of the universe learning how to harness cosmic energy for their own uses, although their motives were quite different. While the elder focused on  building a vast empire, the youth wished to use it for the benefit of his fellow villagers. A great struggle ensued between the two, symbolic of the battle between selfishness and selflessness, as  the legacy of the ancient ones remains a contemporary theme about power.

Another reminder of cycles are found in  remnants of The Mayan civilization, which constructed the most mathematically accurate calender ever devised, informed with future astronomical events which influenced their culture along with paganism and human sacrifice. Survival they realized depended on planting crops at the right time and understanding the forces that effected their growth much of which involved cycles of climatic regularity and change. They found ways to ensure a continuation of their society until they vanished, leaving only mystery and myth for scientists to fathom, although their calender and some written hieroglyphs remain.

The Mayan calender calculates the end of one cycle and the beginning of another at 11:11 am GMT on December 21, 2012.  All they contended was that the transformation from one to another would be characterized by “great changes,” as the Sun and its planets approach the center of the galaxy, an event that occurs once in twenty eight thousand years.

What happens after this date is unwritten suggesting that it must be left to those who are now alive to determine the shape and intensity of the change.

]]> http://eclecticcommons.telldat.net/2010/01/22/the-rhyme-of-the-ancient-ones/feed/ http://eclecticcommons.telldat.net/2010/01/14/the-philosophy-of-egg/ http://eclecticcommons.telldat.net/2010/01/14/the-philosophy-of-egg/#comments Thu, 14 Jan 2010 20:51:53 +0000 doc jon perfecto http://eclecticcommons.telldat.net/?p=2368

Suppose it were possible to make scrambled eggs without beating them first - perhaps a trivial concern - but when was the last time you cracked an egg without paying attention to what you were doing? It doesn’t really matter where the egg is struck, as long as it contains no shell.

Every now and then a double yolk appears and those become unusual events, especially when children are looking on, eagerly absorbing everything with awe struck attentiveness. To them it’s a magical event and how they interpret what they see can shape their personality and define the approach they will take to life. This may sound like a hefty claim, but each time an egg is successfully transformed into an omelet, it builds confidence, a celebration when it enhances the ability to focus, especially for children and multi-taskers who revel in cracking two, in both hands at the same time.

Creating a batter in a bowl is a rote expenditure of energy. Another approach would be to open the eggs directly into the heated pan, then using a fork, mixing the yolks and the whites together when they are in the process of solidifying, creating a unique variation of color and texture, as a small amount of milk or cream for the aristocrats is added with salt and pepper. This encourages risk-taking, an absorbing adventure each and every time the task is undertaken. Most important is not having to scrape them from the pan. An assurance of an experienced knowing hand, especially when one of the kids asks: “Why are some eggs white, and some brown?” Then a learner-ed parent can respond with a smile, “They can also be green.”

http://en.wikipedia.org/wiki/Egg_shells

The military look of the film is so reminiscent of  Aliens that it distracted me from  becoming immersed in the film. Aliens is the 1986 classic that Cameron directed about the bugs that gestate in the chest of its living host and have acid for blood. As in Aliens, the company or corporation features prominently as the prime antagonist of evil instigating  the invasion force that plans to drain Pandora’s natural resources for the benefit of Earth. Our planet is now an ecologically depleted waste land, a victim of economic greed that Weavers character, Dr. Grace Augustine, a Bio-Anthropologist opposes as passionately as she did as Ellen Ripley in Aliens.

The feel of the film’s technology including a cargo loader machine similar to the one Ripley uses to defeat the queen bug at the end of Aliens is featured in facsimile in a major battle scene at the end of Avatar. This similarity is an annoying element of this new film which was written, directed and produced by Cameron with a running time of 2 hours and 40 minutes.

Although the 3D nature of the films construction is groundbreaking, the plot is predictable and the characters are too two dimensional drawing  heavily from other science fiction/ fantasy films. The premise that all living things emanate a common energy also known as “the force”  fills everything in the universe is perhaps a reference to the  Star Wars universe , not that there is anything wrong with imitation, but even the forests of Pandora,  a magical place  with luminescent creatures and large revered trees  evokes the image of Lothlorien the mystical home  of the elves of Middle Earth. Add to all this the notion of cloning a personal avatar and a neural link, then  Alien Resurrection and The Matrix comes  to mind. But despite all its flaws, Avatar is worth seeing if only to make one realize that Star Trek (2009) is a much better film.

]]> http://eclecticcommons.telldat.net/2010/01/05/james-camerons-avatar-a-visual-garden-of-eden-in-3d/feed/ http://eclecticcommons.telldat.net/2009/12/28/the-nutritional-aspects-of-expanding-populations/ http://eclecticcommons.telldat.net/2009/12/28/the-nutritional-aspects-of-expanding-populations/#comments Mon, 28 Dec 2009 23:41:39 +0000 doc jon perfecto http://eclecticcommons.telldat.net/?p=2465

Although The Nutritional Aspects Of Expanding Populations sounds like a worthy subject for serious study in Biochemistry and Nutrition especially when considering the impact of the large spike in population growth during the post war period and its sociological implications on the  baby boom generation, it became the basis for a landmark 1955 cinematic classic  about the development of a growth serum and how it could be used to solve the problem of overpopulation and world hunger, a neglected subject in the mid fifties.

The elixir depicted in this film adaptation is so potent its promise is in providing the complete nutritional needs of any growing organism, a claim overshadowed only by the myopic scientific experimentation focused solely on animal rather than plant life which could have made it more palatable for vegetarians and provide a sound basis for reducing cardio-vascular disease when coupled by increased exercise and the cessation of smoking.

The film is titled Tarantula and was directed by Jack Arnold and stars John Agar,  Leo J. Carroll and Mara Corday with an uncredited appearance of twenty-five year old Clint Eastwood as a jet pilot dropping napalm at the films’ climax. Arnold went on to direct The Incredible Shrinking Man two years later in 1957 considered by many as his masterpiece and  Eastwood became a multiple Oscar winning director.

In this scenario,  Professor Gerald Deemer  is a scientist with a just motive, a hero trying to avert food shortages which are predicted as a result of the world’s expanding population of two billion in 1955, a role passionately played by veteran character actor Leo J Carroll. This is the premise that sets it apart from most giant bug movies featuring  mutations caused by either nuclear weapons or a demented scientist. In this case its a result of noble intentions gone wrong with a sound display of scientific methodology and  multi layered sub plots such as a budding love story and a rare medical condition known as acromegaly artistically shot in black and white featuring an arid desert with whistling tumbleweeds. It is here Professor Deemer invents a special nutrient on which animals can exclusively thrive causing them to enlarge many times their normal size to serve as a source of food.

Harvested in the professors’ home laboratory are several over-sized rodents and a tarantula that escapes somewhere  in the California, Nevada area, hungry and lurking for prey, growing and yet undetected despite  leaving pools of arachnid venom and skeletal remains whenever it fed.  Why spiders and rodents were used to experiment on instead of cattle or sheep is left unexplained, but  perhaps it  suggests that Deemer thought there may be a time when a high protein diet would be defined by how many legs are on the plate.

Unthinkable imagery created by very sophisticated  visual effects and score, the film has a sharp   witty script written by Robert Fresco and  Martin Berkele based on a story by Ray Bradbury, yet its science fiction basis never diminishes the credibility that advancing bio technology may one day lead to the discovery of such a nutrient with unanticipated consequences.

When a very bored hotel concierge  asks Corday, a 1954 Playboy centerfold who  arrives in town as a biology student working on her Masters dissertation, The Nutritional Aspects Of Expanding Populations and Agar who plays the town doctor, “Well ain’t you going to introduce yourselves?” as they leave the hotel for a ride in his car.

“No” they respond in unison, as the hotel manager scratches his head and  mutters,   “Yep, it can be an awfully fast world.”