According to Quantum Possibilities, “Clairgustance is the ability to taste substances without putting them in your the mouth.” The premise is that some people possess special insight to perceive the essence of something from the ethereal realm through instinctive taste, minimizing the need to use memory to catalogue them within the interior mind.

Part of the problem is that this particular claim contains obvious flaws which distracts from its credibility. How can one identify flavor without having first placed something on the tongue allowing texture, form and smell to be recalled at a later time? It is inconceivable to be able to do this unless some base of reference, dependent on memory is created to guide the interpretation of qualities unique to a substance.

In general, clairvoyance is closely associated with paranormal studies historically found in most cultures. Clairvoyants are often defined as religious or shamanistic individuals who meditate and are able to  exert high levels of personal discipline. They can also exist as the focus of cults who proclaim them as having “clear experiences,” strongly suggesting that their pronouncements are reliable and above suspicion. These people attract large numbers of individuals uncertain about the future, seeking those who they think can access energies that can help them avoid pain and suffering by creating  better choices or convincing illusions foretold from such a vision.

According to some historical documents, the earliest record of clairvoyance was made by Marquis de Puységur, who in 1784 was treating a peasant man, Victor Race, identified with feeble intelligence. It was reported that when in treatment, Race would enter a trance state and undergo personality changes that made him noticeably articulate. He proceeded to diagnosis his own disease and prescribe a course of treatment, as well as many illnesses of strangers. When the trance ended, he returned to his limited mental capacity totally unaware of anything he had said.

Although Puységur used the term clairvoyance, there is no evidence to support a belief in the paranormal since he was a follower of Franz Mesmer, the founder of the Mesmerism school of thought which included certain spiritual phenomena and magnétisme animal as its basis. The evolution of Mesmer’s ideas and practices led Scottish surgeon James Braid to develop hypnosis, a respected tool of psychiatry, in 1842.

There are a number qualities identified as part of the clairvoyant experience. They are usually refinements of the known senses of hearing, seeing, touching, taste and smell, extending into some realm that can only be individually perceived. They can suggest images from the past, visions of the future or be connected to objects such an heirloom.

Most skeptics argue that clairvoyance is the result of self delusion and a failure to consider chance occurrence, “If you test a clairvoyant in a scientific experiment, they will inevitably get a number of answers correct during a series of trials, much like the 20% chance of picking the correct possibility in a multiple choice test with five unknown choices.” This does not mean that there are any special abilities at work other than guessing. Non believers are quick to suggest that the clairvoyant experience should be amenable to established scientific scrutiny in order to be considered valid.

Try and explain that to someone who has had such an event that changed the course of their life and opened them to things they never knew they had. For them, there is no need to justify their ability since they implicitly understand the solitary and unique nature of the introspective experience.

Although a freeloader is usually referred to as “a good for nothing bum” who extends flimsy excuses for being a non contributing member of society, dependency usually marks their lives, often judged worthless by those on whom they rely. Try and observe them without judgment, a difficult task to accomplish, and they usually reveal anxiety and a lack of self confidence when it comes to independent action or dealing with consequences.

Often, from some one else’s perspective, they can appear manipulating in their helplessness, controlling the situation by pushing all the right buttons to evoke a co-dependent response, as anger becomes a cause for avoiding the original issue, lost when uncontrollable emotions kick in. Usually, an abdication of responsibility is present when circumstances require individual action and taking risks as part of the process of growth and development. Unfortunately, this often characterizes the relationship by provoking some sort of guilt along with the anger over being unfairly burdened, overshadowing the possibility of a normal relationship assuming one could be adequately defined.

Discovering the ability to objectify the situation on an emotional level may help prevent the knee jerk responses when buttons are pushed, but unless the anger is transformed, nothing changes. The hope, fleeting at first,  is that something external will intervene and  change the circumstances so that confrontation becomes a mute issue. This approach is a passive way of viewing the dynamics necessary to alter the cycle, and rarely works. The other means of arriving at a solution most often appears when everything else seems to fail, the bottom of the barrel reached and behavior becomes so contrary to what is usual that the blind spots, now glaring, cannot be ignored. Confrontation is then inevitable.

Blaming the lazy slough by comparing him or her negatively to those who are accomplished neglects the response many successful people  give when asked about their own attainments, “I’m not really as successful as everyone thinks, Ive just fooled them into thinking I am.”  This rationale suggests that no matter which side of the line you fall – the overly depended upon, or the good for nothing bum, fear of the inner truth exists.

In a region of Greece known as the Peloponnese exists the land of Arcadia where scholars believe the myth of the god Pan – who according to legend is the god of fertility, carnal desires and unbridled male sexuality,- originated. Usually, he is depicted most for running after nymphs deep in the forest green or on high mountainous regions with the lower torso of a goat and a flute in his hand playing a hypnotic tune that speaks to the instinctual nature rather than the harmonized sensibility of the heart and mind merged with  the influence of balanced primal forces. On his head are two horns, implying that sexual energy is more closely associated with devils heat and a part of pagan ritualism, an undercurrent that is also suggested in theological doctrine.

Its often forgotten that Pan is the god of shepherds and their flock. but the origin of such connection, as in most myths, remains unknown. Another example is Poseidon, god of the ocean and the seas who also rules horses. Trying to figure out the equine association between both symbols is like gazing through murky water hoping to see river’s bed.

In the Tarot, the fifteenth card of the higher arcana is represented by the imagery of a naked man and woman, both with horns on their head chained to an alter where the Devil sits. Both are slaves to their lower passions. This is another instance of how symbols incorporate the basic principles that govern human nature. The cards, especially the higher arcana are thought to correspond to cosmic principles. On the other hand, Eastern philosophy conveys the idea that in order to be successful, one must walk the line between the Yin and Yang without getting caught in the pull of either extreme, proposing that the path is more appropriately represented by an arc rather than a straight line.

The problem with archetypes and symbols is that they can represent so many things they are never specific enough to apply directly to one’s life or provide answers for conditions that include constantly changing variables, indicating another reason for the popularity of prognosticators trying to fathom the future that is often impacted by uncertain events.

It was dark and red, a smoldering place of unimaginable things, distorted and growing, looking like monsters under the floor. Would this be the permanent location my soul would take if I did not believe what I was told? I thought sitting on the bench surrounded by the others who acted so reverently.

Wrath was on the face of the speaker who had lots of hair sticking out of his long  nose, a chin with numerous warts and a contorted mouth and shrill voice that rang from the alter. Dark rings surrounded each eye as they moved separately in reptilian nature, looking at the pagan symbols on the ceiling and walls without moving his head.

A leprous thing he was, defiantly using the word, but instead made it sound more unintelligible. I almost broke out in laughter, but was cognizant of how inhibited I needed to be, encircled by all the believers who took everything far too seriously. It was difficult to articulate this, I thought, as i looked up at all the eyes glaring down at my snickers while desperately trying to be inconspicuous,  even though I had just turned one and was quietly sitting on my stool.

Reviewing the Twilight Saga is not as easy as it sounds. It’s a complicated story exploring the progression of unrequited love among frustrated lives struggling to be normal while living under a cloudy sky and perpetual rain in Washington near the Canadian border. The tale is based on the four novels written by Stephenie Meyer and is being told in five movies that faithfully follows the books.

Bella Swan, portrayed by Kristen Stewart is an attractive seventeen year old girl of divorced parents who arrives in Forks, Washington in the first film, Twilight, released in 2008. Her self image expresses a wounded psyche, “I’m the kind of girl that suffers in silence” as she apologizes for her clumsiness rather than seeing the beauty others see in her.

The most outstanding thing about the film, directed by Cathrine Hardwicke with a screenplay by Melissa Rosenberg is the rain. When Edward played by Robert Pattinson and his family enter the lunchroom everything changes. Mysterious, he sulks as Bella gazes at him and their eyes lock. Later, in biology lab Edward appears as if he is going to vomit when he looks at her, storming out of the classroom leaving her feeling reviled. Finally, after some puzzling events, Bella googles, “the cold one’s,”  and discovers that the Cullen’s are vampires, and Edward has been seventeen for a long time, accumulating decades of teenage angst at the age of 109. He later reveals his attraction to Bella,”I’ve never craved anyone’s blood like I want yours.” She responds, “I trust you. ”

Bella’s relationship with her father from whom she has been estranged is awkward, adding to the alienation she already feels. Charlie, played by Billy Burke, is her young dad who is himself trapped in his own emotional withdrawal in a boring existence without any passion as the chief of police. Although the love and concern they have for each other is apparent, the conversations between them are strained as they have little to talk about.

The stakes are amplified as Bella is threatened by James, a powerful rogue vampire who almost kills her. He is eventually dismembered and burned to cinder by the Cullen clan, allowing Edward to take Bella to the prom night dance where she declares her love and expresses a desire to become a vampire and lurk the forest with him.

New Moon, released in 2009 was directed by Chris Weitz in a screenplay again written by Melissa Rosenberg picks up where the first film left off. Bella and Edward are now openly involved, but age is catching up with her as her eighteenth birthday approaches and she dreams of getting so old that Edward will no longer want her. A party is planned at the Cullen’s house and the event turns into a nightmare as she cuts her finger dripping blood on the carpet that turns Jasper, Edwards brother played by Jackson Rathbone into a carnivorous rage. Edward, realizing the danger decides to leave Bella for good, “you don’t belong in my world,” he says, asking her not to do anything reckless and in return promises, “this is the last time you will ever see me, and you can go on with your life without me.” The plot proceeds to develop the love triangle between Bella and Jacob Black, played by Taylor Lautner as the younger post pubescent member of the Quileute tribe who she seeks solace from as months of deep depression take its toll after Edward leaves.

Bella soon realizes that by taking risks, Edward comes to her as an apparition guiding her towards safety. She becomes intentionally self destructive and seeks to provoke his appearance, hoping he will come back. She uses Jacob to ease her pain as he begins to get feverish and discovers his werewolf nature, a genetic trait he inherited from his Native American heritage carried by his ancestors to protect the tribe and it’s land. Life gets even more problematic for Bella as Victoria, the vampire mate of James from the first movie stalks her to seek revenge for his death by the Cullen’s.

As Jacob and his pack protect Bella, Edward calls to see if she is well but is led to believe by Jacob who answers the phone that she is dead.  Overwhelmed by sadness, Edward decides to go to the Volturi, the vampire counterpart of the Vatican located somewhere in Italy to ask to be killed. The Volturi is the ruling body of vampire law with members who have special powers to maintain order. Distraught and intent on saving Edward, Bella flies to Italy to stop him from ending his life. Alice, his sister,  superbly played by Ashley Greene accompanies her. When Bella saves Edward, she also encounters the Volturi who intend to kill her, but agree to let her go with the provision that she be turned into a vampire.

Eclipse, the third installment of the saga, released on June 30, 2010 was directed by David Slade with the script (all five) written by Melissa Rosenberg. Now we have an army of newbie vampires, created and trained by Victoria to track Bella and destroy the Cullen clan who has formed an alliance with the wolves to protect her and Forks in a final confrontation.

The love story between Bella and Edward becomes more complicated as she is now approaching her nineteenth birthday, two years older than Edward in mortal reckoning. She is pressuring him to turn her before the age difference becomes more noticeable. He urges her to marry him first, but she is reluctant to tie the knot, “Its just a piece of paper,” she remarks. He reminds her, “I come from another era when courting, drinking iced tea on the porch and asking her father for her hand in marriage is the way it was done.” When Charlie expresses his discomfort with Edward, Bella proclaims, “Hey dad, I’m still a virgin.” Charlie responds, “well, I like that boy even more now.” But Edward still grapples with guilt over turning Bella because he feels it would be a selfish act and understands the consequences to her soul even if she doesn’t.

The action is predictable, a final battle between Victoria’s army and the alliance of the Cullen clan and Wolves end in success for the forces of good but not without some physical injuries to Jacob who also hurts when he hears that Bella has accepted Edwards proposal of marriage. She kisses Jacob but declares to Edward, “I love him, but I love you more.”

Despite the flaws in the script, the bad acting and the incessant rain, I liked all three installments. It’s a story narrated from Bella’s perspective about how everything that has happened has led her to make the decision to become a vampire.

At the end of the film she says to Edward. “This wasn’t a choice between you and Jacob, it was between who I should be and who I am. I’ve always felt out of step, literally stumbling through my life, I’ve never felt normal because I’m not normal. But now I know I don’t want to be. I’ve faced death and loss and pain in your world, but I’ve also never felt stronger, more real, more myself because its my world too. Its where I belong.”

The Chosen One – The Story Of Buffy’s Sacrifice And Unrequited Love

Chronic Dissatisfaction And The Strigoi Of Europe